Sense of Place: at the Cape Breton University, Sydney, Nova Scotia

Steve Sutherland from CBC interviews Patricia Coates. photo by - Graham Iddon

Steve Sutherland from CBC interviews Patricia Coates. photo by - Graham Iddon

On March 20th at the Cape Breton University the Sense of Place exhibition officially opened with a panel discussion that included Alistair MacLeod, Nino Ricci, and Iain Baxter&.  News coverage for the Sense of Place artists talks at the Cape Breton University was filled with glowing reports on the event.  The CBC, and Cape Breton Post interviewed and reported the various events of the week.  Please see the Cape Breton Post article here.  Listen to CBC’s radio interview of Ian Baxter&, Alistair MacLeod and Nino Ricci here. Listen to CBC’s radio interview of Patricia Coates here.

The exhibit will be on display at the CBU Art Gallery until June 8th.

National exhibit coming to CBU

Published on February 22, 2012
Cape Breton Post
Author: Laura Jean Grant

SYDNEY — Three Canadian cultural heavyweights will visit the island next month, in conjunction with the opening of a new exhibit at the Cape Breton University Art Gallery.

Alistair MacLeod, Nino Ricci and Iain Baxter&, who all wrote segments for the Sense of Place exhibition catalogue, will be at CBU for the exhibit’s Atlantic Canadian debut, March 20-21.

Sense of Place is a national touring exhibition from the Windsor Printmakers Forum, an artist collective based in Windsor, Ont. It has been presented at several art galleries including the University of Toronto Art Centre, the Klondike Institute of Art & Culture, and the Art Gallery of Sudbury.

The exhibit includes the work of 34 printmakers from Canada and two from Michigan, and includes all types of printmaking, from traditional styles like etching and lithograph, to contemporary forms like digital prints and light boxes. All pieces are focused on the Sense of Place theme.

“The works in the show are pretty conceptual, they’re not just landscapes or pictures of people’s homes. They focus on how our sense of place is linked to our identity,” explained Laura Schneider, CBU art gallery director and curator.

The CBU Art Gallery has numerous events, presentations and discussions planned in conjunction with the exhibit, including a public presentation and official opening reception March 20, and author readings and presentations for CBU students and local writing groups March 21.

MacLeod, who divides his time between Windsor, Ont., and Dunvegan, Cape Breton, is the author of “No Great Mischief” which has received many accolades, including the 1991 IMPAC Dublin Literary Award and the Trillium Award for Fiction. He is also internationally-acclaimed for his collections of short stories “The Lost Salt Gift of Blood,” and “As Birds Bring Forth the Sun and Other Stories.” He is an officer of the Order of Canada and an English professor at the University of Windsor.

Baxter&, an international pioneer of conceptual art, is a Governor General’s Award winner in visual and media arts, and has won both the Canada Council for the Arts Molson Prize, and the Gershon Iskowitz Foundation Prize. Baxter& is also an officer of the Order of Canada, and a professor at University of Windsor’s School of Visual Arts.

Ricci is a two-time Governor General’s Award winner for fiction. His novels include “Lives of the Saints” and “The Origin of Species.” Ricci was the recipient of the inaugural Alistair MacLeod Award for Literary Achievement in 2006. Ricci is a member of the Order of Canada and he lives and works in Toronto.

Schenider said the gallery is thrilled to have the three men coming to the university for the exhibit launch.

“It’s pretty exciting. They’re well known, not just in Canada, but around the world,” she said.

ljgrant@cbpost.com

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Objects of Desire by Vanessa Cornell

The Windsor Printmaker’s Forum announces a new exhibition Objects of Desire to open on Saturday, March 3, 2012 at 7pm by Vanessa Cornell.

This new body of work focuses on commercialism and its use of colour, beauty, etc, to increase a persons desire for these items. This exhibition features two bodies of work both highlighting couture fashion. As a person interested in fashion, all the works depict items of value, iconic logos or beauty.

Vanessa Cornell received her Bachelor of Fine Arts at York University, Toronto, specializing in printmaking and photography.  She has participated in exhibitions locally throughout Chatham-Kent, as well as in Toronto and internationally, including exhibitions in England, Scotland, Japan and Australia.  Vanessa is the assistant administrator of ARTspace and on the Board of Directors for the Windsor Printmakers Forum.

The artists’ reception will take place on Saturday, March at 7pm at the Windsor Printmaker’s Forum. The artist will be present to discuss her work with free snacks. This exhibition will run till March 17, 2012.

The Windsor Printmaker’s Forum is open Wednesdays 11am – 3pm or by appointment and is located at 420 Devonshire Road, Windsor, Ontario.

For more information:

Vanessa Cornell
Windsor Printmaker’s Forum, Board of Directors
420 Devonshire Road
Windsor, Ontario
519-253-9493
vanessaccornell@gmail.com

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January 27, 2011 Sense of Place Featuring: Nino Ricci, Alistair MacLeod, and Rebecca Belmore in Thunder Bay

Article courtesy of The Walleye by Tiffany Jarva

Sense of Place - Sudbury opening

Nino Ricci, Patricia Coates and Alistair MacLeod with Windsor artist, Victor Romão's Linocut, "Family Vacation, Algonquin Park, 2006"

Rebecca

photo by Alastair MacKay. Special Guest performance artist Rebecca Belmore during the Sense of Place tour at the Thunder Bay Art Gallery

Alistair MacLeod, reads from his short story "The boat"

photo by Alastair MacKay. Alistair MacLeod reads from his short story "The Boat."

Nino Reads

photo by Alastair MacKay. Author Nino Ricci reads from The Origin of Species, winner of the Governor General's Award for Fiction.

Photos by Alastair MacKay

The Thunder Bay Art Gallery audience was silent as acclaimed Canadian author Alistair MacLeod, in his soft lilting voice, read from his short story “The Boat,” in amongst the pieces of the touring Sense of Place printmakers exhibition. The award-winning MacLeod, author of two short story collections and the critically acclaimed 1999 novel No Great Mischief, was here along with fellow writer Nino Ricci and internationally known performance artist Rebecca Belmore.

The powerful sense of place is at play in the work of all three artists. Ricci, winner of the Governor General’s Award for Fiction twice, opened the night with a reading (off his iPad!) from The Origin of Species, taking us back to the 80s and the place we all know as The Galapagos. Originally from nearby Upsala in northwestern Ontario, Belmore shared a couple of her videos documenting her live performances which she referred to as works made in a very “particular” place. 2008s Making Always War was performed on the UBC campus in response to the dead soldier count climbing to 100 in Afghanistan. Victorious was created during Hive 2, a theatre festival in Vancouver, just days after Prime Minister Stephen Harper’s official residential schools apology.

MacLeod, considered by many to be one of Canada’s greatest prose writers, ended the formal part of the evening with his reading from his compelling short story “The Boat,” which creates a strong sense of place and the emotions tied to the harsh realities of a fishing family in Cape Breton. When Ricci responded during the Q+A as to why small towns work so well in fiction, he mentioned that he thinks an “intimate sense of place” can be created when we travel back to the small places, villages and towns of our roots. And during this evening, thanks to the artists sharing their works, an intimate sense of place was created for a few hours, with memories lingering for much longer.

Visitors at book signing meet with authors Nino Ricci and Alistair MacLeod

Thunder Bay audience gathers to hear Readings from Nino Ricci, Alistair MacLeod, and talk from performance artist Rebecca Belmore

Sense of Place is currently showing at the Thunder Bay Art Gallery until February 26, organized and circulated by the Windsor Printmaker’s Forum. www.tbag.ca

 

 

 

Sense of Place opened in Thunder Bay January 13, 2012 with an artist talk by local printmaker Brian Holden

Sudbury Printmaker, Brian Holden explains a printmaking process.


All images ©Alastair MacKay
The Sense of Place Exhibition opened at the Thunder Bay Art Gallery with a talk by local printmaker, Brian Holden.

The Sense of Place Exhibition will be on view at the Thunder Bay Art Gallery from January 13th to February 26th, 2012.

OAC logo JPEG UWlogo_taglineOTF_HORZTL_CLR_4_Microsoft
The Ontario Trillium Foundation is an agency of the Government of Ontario
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International Print Exchange

International Print Exchange - Nov 18 + 19. 2011

Windsor Printmaker’s Forum is proud to open its doors to visitors for this Original Print Exchange and Exhibition which will coincide with Walkerville Holiday Walkabout week-end.

Reception Friday, November 18thfrom 4pm – 9pm and Saturday, November 19th from 10am – 5pm

Chatham-Kent artist Vanessa Cornell organized an international print exchange for ARTspace, in Chatham. This satellite installation is on view at the Windsor Printmaker’s Forum from November 14, 2011 – January 25, 2012.

Over 70 artists chose to participate from Chatham-Kent, Windsor, and 8 additional countries including Australia, Belgium, England, India, Mauritius and Scotland. All of the artists were asked to create an edition of 10 prints in a print method of their choice at the set size of 5” x 7”. One of each artist prints are now in the permanent collection of ARTspace, and these will be on display at Windsor Printmaker’s Forum.

The remaining prints were re-distributed into a suite of 9 for each participant. A print exchange is a traditional printmaking event, that allows artists to share work from around the globe.

Come and enjoy the holiday atmosphere with music, refreshments and great company of international art and local artists.

Windsor Printmaker’s Forum
420 Devonshire Rd
Lower level, North Entrance

A Review of the Exchange,  by guest writer – Erin Ward

The fascinatingly diverse prints of seventy-two artists from around the world currently line the walls of the Windsor Printmaker’s Forum Art Gallery like rows of tiny windows offering intriguing glimpses into the creative minds that produced them. They range from ethereal to whimsical, thought-provoking to meditative. As I walked around the space, leaning in to gaze though these little windows, I marveled at the unique ability of this show to bring artists from such vast distances together in this room, all present in a sense; represented by the the works still resonating with the creative energy poured into them. One such print for example, an untitled, richly textured, abstract collograph which is an ARTspace satellite installation by Bouchel Marina, was so recently in the hands of its creator in Belgium, and now here it is hanging before me as I share in the idea he has expressed. From across miles of the Atlantic ocean he has reached me here in the Printmaker’s intimate gallery, glowing from the soft but luminous lights that illuminate the walls of art.

I met up with Vanessa Cornell, assistant administrator at Chatham’s ARTspace, the initial home of the Original Print Exchange and Exhibition & Community Arts Initiative show and curator for the Windsor Printmaker’s Forum, to discuss the inspiration for the show. Cornell joined me in the gallery as an embodiment of her passion for printmaking, fresh from the creation process herself, and attired in an apron decorated with ink; the life’s blood of this art form. This international show, she explained, provides an opportunity both for printmakers to share ideas and techniques as well as for local residents to experience the work of international and local artists. A call for submissions was put out online and by email to printmakers and forums all over the world. Each participating artist submitted ten original five-by-seven inch prints, of which one print was put on display while the rest were divided amongst the other participants. “I think that’s really the joy of participating in exchanges,” Cornell says, “because you know you’re going to get art work and its all going to be so different from what you would do yourself.”

Once all the prints were received, three prizes were awarded: two People’s Choices, one international and one local, and a Curator’s Choice. Cornell selected Aaron S. Coleman’s mezzotint and silkscreen entitled Sacred Physiology from Illinois, U.S.A., an evocative artwork depicting the standing figure of a man in a dimly coloured jungle of etchings, the outline of a hand just visible over his heart and his head swathed in cloth. “When I received Sacred Physiology in the mail, I was already really excited about it,” Cornell explains, “and then as more and more work came in it was just really apparent that it was the favorite, not only because of the tremendous amount of detail and care that was put into it, but also because I find it very though-provoking. I wonder if its based on concepts of identity or maybe ethnicity. I appreciate it giving me so much to think about especially from such a small piece of work.”

In addition to prints received from this international call, the gallery is also displaying works created as part of a community arts initiative. Cornell taught classes to local participants making their first foray into the world of printmaking at the Thames Art Gallery in Chatham. The participants of this workshop made six prints each and did their own mini-exchange with the other workshop participants. One of each of these prints can also be viewed now at the Forum.

As a testament to Cornell’s curatorial abilities, there is an absorbing flow to the prints. As I moved through the room, from black and white to vivid colour, across desert landscapes and city sidewalks, through abstract expressions to concrete imagery; the transition from each piece to the next was effortless. Many even seemed to compliment one another by suggesting further themes to contemplate, thereby adding another level of depth to the show.

For example, the ARTspace satellite installation of Californian Amanda Blake’s linocut entitled, Chuck With Young Woman, which provides an amusing, caricature-like depiction of a lonely man looking for companionship in the dim recesses of a bar, stands in an interesting combination of contrast and compliment to its wall-mate beneath, the ARTspace satellite installation of the linocut, El Músico, submitted by Monolete Diaz of Havana, Cuba. El Músico pictures a kind of jazzy, black and white, geometric representation of a musician playing cello in a venue with a striking checkered floor. The sun-like burst of design over the musician’s head seems to be representative of creative energy flowing out from him through his music while he plays. Together the two prints provoke a consideration of the various occupations of night-life and the many paths taken by the human condition, whether creatively or destructively, in pursuance of fulfillment.One print is perhaps an illustration of desperation; a weathered, despondent man following familiar avenues of empty distractions from an unfulfilled life, while the other is vibrant; an expression of inspiration in the life of this musician.

The Original Print Exchange and Exhibition & Community Arts Initiative ultimately brought together artists from ten countries across the world whose artwork is on display at the Windsor Printmaker’s Gallery, located at 420 Devonshire Road, from now until January 25, 2012. The show offers an exciting opportunity for residents of and visitors to Windsor and Essex county to experience the creations of international artists working with this unique art-form. As Cornell expressed: “You don’t get the opportunity to see art work from all over the world very often, especially in a smaller gallery. You can seek it out, but it doesn’t often come to you.”

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Announcing News-Print v1.1

Windsor Printmaker’s Forum is pleased to announce the debut of our new quarterly newsletter, News-Print. You may read the full pdf version here: View the article full size in new window here.

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