Annual General Meeting

Windsor Printmaker’s Forum welcomes all paid up members in good standing to attend the annual general meeting.

Date:  Wednesday, February 15, 2012
Time:  7:00 P.M.
Where: 

Windsor Printmaker’s Forum Studio.
420 Devonshire Rd., Lower Level
Windsor, On.
N8Y 4T6

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Sense of Place Opens at the Thunder Bay Art Gallery

FRIDAY, JANUARY 27, 2012

Acclaimed authors Alistair MacLeod and Nino Ricci, along with visual and performance artist Rebecca Belmore will appear in person at the Gallery.

As guests of the Sense of Place exhibition Alistair MacLeod and Nino Ricci will read from their works as they relate to “place.”

Rebecca Belmore will speak, and “may” engage the Thunder Bay audience with one of her powerful performance works.

Admission and refreshments are FREE. Donations to the Gallery are always appreciated.

The night kicks off at 7:30 pm SHARP. Doors open at 7 pm.

SENSE OF PLACE OPENS FEBRUARY 13, 2012 WITH AN ARTIST TALK BY LOCAL PRINTMAKER BRIAN HOLDEN


Sudbury Printmaker, Brian Holden explains a printmaking process.

Audience assembled to hear artist talk from area Printmaker Brian Holden.


Visitors browse the Sense of Place Exhibition.
All images ©Alastair MacKay
The Sense of Place Exhibition opened at the Thunder Bay Art Gallery with a talk by local printmaker, Brian Holden.

The Sense of Place Exhibition will be on view at the Thunder Bay Art Gallery from January 13th to February 26th, 2012.

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Call for Entries Annual Student Juried Exhibition

WINDSOR
PRINTMAKER’S
FORUM
presents the annual

Student Juried Exhibition

CALL FOR ENTRY
SUBMISSION DEADLINE
MARCH 21, 2012

ELIGIBILITY
Submissions are open to all high school students in Windsor, Essex and Kent County.  Eligible work must be an original creation produced within the 2011-2012 school year.

MEDIA SPECIFICATIONS
All works submitted must be unframed.  All works on paper will be accepted including digital, painting, drawings, photography, book works, 3 dimensional and all print media.

Size of 2 dimensional work is limited to 20” x 24”, three dimensional work is limited to 2 cubic feet.

A maximum of 3 works per student is allowed.

MEMBERSHIP
To encourage all schools to participate in the Works on Paper student exhibition, WPF is waiving exhibition fees.  However, to help support us in our costs for this event, please consider becoming a member of our artist-run studio.  Membership for a school entitles your art students to 3 weeks of exhibition time and also allows up to 5 students to attend workshops, taught by professional artists, at a 10% discount.

SALES
All works must be for sale.  Student is responsible for pricing.  Work not priced will not be accepted.  All sales will be handled by WPF on a 30% commission.

PRIZES
Prizes will be awarded for 1st, 2nd and 3rd place.

LIABILITY & CONDITIONS
Care will be taken in handling all entries; however WPF will not assume responsibility for loss or damage during installation.  All works must be retained for the duration of the exhibition.  Participants agree to allow WPF to reproduce their work for promotional and educational purposes.  A representative from each school will be responsible for delivering and picking up the artwork.

Entry form available here:

Entry Deadline
March 21, 2012
Submissions must be received at WPF between 10am – 5pm

Opening Reception and Awards
April 1, 2012 at 2pm

Exhibition Closes
May 2, 2012

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International Print Exchange

International Print Exchange - Nov 18 + 19. 2011

Windsor Printmaker’s Forum is proud to open its doors to visitors for this Original Print Exchange and Exhibition which will coincide with Walkerville Holiday Walkabout week-end.

Reception Friday, November 18thfrom 4pm – 9pm and Saturday, November 19th from 10am – 5pm

Chatham-Kent artist Vanessa Cornell organized an international print exchange for ARTspace, in Chatham. This satellite installation is on view at the Windsor Printmaker’s Forum from November 14, 2011 – January 25, 2012.

Over 70 artists chose to participate from Chatham-Kent, Windsor, and 8 additional countries including Australia, Belgium, England, India, Mauritius and Scotland. All of the artists were asked to create an edition of 10 prints in a print method of their choice at the set size of 5” x 7”. One of each artist prints are now in the permanent collection of ARTspace, and these will be on display at Windsor Printmaker’s Forum.

The remaining prints were re-distributed into a suite of 9 for each participant. A print exchange is a traditional printmaking event, that allows artists to share work from around the globe.

Come and enjoy the holiday atmosphere with music, refreshments and great company of international art and local artists.

Windsor Printmaker’s Forum
420 Devonshire Rd
Lower level, North Entrance

A Review of the Exchange,  by guest writer – Erin Ward

The fascinatingly diverse prints of seventy-two artists from around the world currently line the walls of the Windsor Printmaker’s Forum Art Gallery like rows of tiny windows offering intriguing glimpses into the creative minds that produced them. They range from ethereal to whimsical, thought-provoking to meditative. As I walked around the space, leaning in to gaze though these little windows, I marveled at the unique ability of this show to bring artists from such vast distances together in this room, all present in a sense; represented by the the works still resonating with the creative energy poured into them. One such print for example, an untitled, richly textured, abstract collograph which is an ARTspace satellite installation by Bouchel Marina, was so recently in the hands of its creator in Belgium, and now here it is hanging before me as I share in the idea he has expressed. From across miles of the Atlantic ocean he has reached me here in the Printmaker’s intimate gallery, glowing from the soft but luminous lights that illuminate the walls of art.

I met up with Vanessa Cornell, assistant administrator at Chatham’s ARTspace, the initial home of the Original Print Exchange and Exhibition & Community Arts Initiative show and curator for the Windsor Printmaker’s Forum, to discuss the inspiration for the show. Cornell joined me in the gallery as an embodiment of her passion for printmaking, fresh from the creation process herself, and attired in an apron decorated with ink; the life’s blood of this art form. This international show, she explained, provides an opportunity both for printmakers to share ideas and techniques as well as for local residents to experience the work of international and local artists. A call for submissions was put out online and by email to printmakers and forums all over the world. Each participating artist submitted ten original five-by-seven inch prints, of which one print was put on display while the rest were divided amongst the other participants. “I think that’s really the joy of participating in exchanges,” Cornell says, “because you know you’re going to get art work and its all going to be so different from what you would do yourself.”

Once all the prints were received, three prizes were awarded: two People’s Choices, one international and one local, and a Curator’s Choice. Cornell selected Aaron S. Coleman’s mezzotint and silkscreen entitled Sacred Physiology from Illinois, U.S.A., an evocative artwork depicting the standing figure of a man in a dimly coloured jungle of etchings, the outline of a hand just visible over his heart and his head swathed in cloth. “When I received Sacred Physiology in the mail, I was already really excited about it,” Cornell explains, “and then as more and more work came in it was just really apparent that it was the favorite, not only because of the tremendous amount of detail and care that was put into it, but also because I find it very though-provoking. I wonder if its based on concepts of identity or maybe ethnicity. I appreciate it giving me so much to think about especially from such a small piece of work.”

In addition to prints received from this international call, the gallery is also displaying works created as part of a community arts initiative. Cornell taught classes to local participants making their first foray into the world of printmaking at the Thames Art Gallery in Chatham. The participants of this workshop made six prints each and did their own mini-exchange with the other workshop participants. One of each of these prints can also be viewed now at the Forum.

As a testament to Cornell’s curatorial abilities, there is an absorbing flow to the prints. As I moved through the room, from black and white to vivid colour, across desert landscapes and city sidewalks, through abstract expressions to concrete imagery; the transition from each piece to the next was effortless. Many even seemed to compliment one another by suggesting further themes to contemplate, thereby adding another level of depth to the show.

For example, the ARTspace satellite installation of Californian Amanda Blake’s linocut entitled, Chuck With Young Woman, which provides an amusing, caricature-like depiction of a lonely man looking for companionship in the dim recesses of a bar, stands in an interesting combination of contrast and compliment to its wall-mate beneath, the ARTspace satellite installation of the linocut, El Músico, submitted by Monolete Diaz of Havana, Cuba. El Músico pictures a kind of jazzy, black and white, geometric representation of a musician playing cello in a venue with a striking checkered floor. The sun-like burst of design over the musician’s head seems to be representative of creative energy flowing out from him through his music while he plays. Together the two prints provoke a consideration of the various occupations of night-life and the many paths taken by the human condition, whether creatively or destructively, in pursuance of fulfillment.One print is perhaps an illustration of desperation; a weathered, despondent man following familiar avenues of empty distractions from an unfulfilled life, while the other is vibrant; an expression of inspiration in the life of this musician.

The Original Print Exchange and Exhibition & Community Arts Initiative ultimately brought together artists from ten countries across the world whose artwork is on display at the Windsor Printmaker’s Gallery, located at 420 Devonshire Road, from now until January 25, 2012. The show offers an exciting opportunity for residents of and visitors to Windsor and Essex county to experience the creations of international artists working with this unique art-form. As Cornell expressed: “You don’t get the opportunity to see art work from all over the world very often, especially in a smaller gallery. You can seek it out, but it doesn’t often come to you.”

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Announcing News-Print v1.1

Windsor Printmaker’s Forum is pleased to announce the debut of our new quarterly newsletter, News-Print. You may read the full pdf version here: View the article full size in new window here.

To view this article you need Adobe reader. Download it here:

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Canada Culture Days Events – October 1st

Congratulations to Pamela Dodds for her print Memory’s Witness, inclusion in the Global Matrix III International Print Exhibition, a contemporary review of fine art printmaking from around the world organized as a traveling exhibition in the U.S. from 2012 to 2014. Previous installments of Global Matrix were presented in 2002 and 2007. The exhibition features artwork from 31 countries around the world.

The Purdue University Galleries present

Global Matrix III
an International Print Exhibition

Stewart Center Gallery and Robert L. Ringel Gallery
January 9 – February 19, 2012

Pamela Dodds Exhibition – Seasons of Engagement

Seasons of Engagement, Pamela Dodds

NOTE: Studio entrance North Side Door, lower level

also PRINTMAKING DEMO’S with KACIE AFFRET

Instructor Kacie Affret looks on as Adele pulls her print.
Instructor, Kacie Affret looks on as participant Adele pulls her print.

Saturday October 1st Kacie Affret will demonstrate various printmaking techniques.

Demo times:

Noon – 1:00
1:30 – 2:30
3:00 – 4:00
4:00 -5:00 Question & answer session.

Culture Days

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SENSE OF PLACE AT THE ART GALLERY OF SUDBURY – September 28th

The event was a great success with more than 85 people in attendance.
(Left) Alistair MacLeod reads from No Great Mischief at the Art Gallery of Sudbury.
(center)Nino Ricci introduces his reading The Origin of Species.
(right) Iain Baxter& presents an artist talk to a full house at the Art Gallery of Sudbury.
images © Patricia Coates

Alistair MacLeod and Nino Ricci share thoughts on writing and their work with the students at Laurentian University. Windsor Printmaker’s thanks Professor Laurence Steven for hosting the student event at Laurentian.
images © Patricia Coates

(left) Sense of Place guests celebrate the success of the evening as well as Nino Ricci’s recent appointment to the Order of Canada in high style and high spirits at Buzzy Browns.
(right) Iain Baxter& seizes the opportunity at Buzzy’s to create a provocative installation capturing the flavour of the Sense of Place national tour: Sense of Place has now shown in Windsor & Toronto & Chatham & Whitehorse & Dawson & London & Sudbury & . . . . .
images © Patricia Coates

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Sense of Place in Canadian Geographic July/August Issue

Canadian Geographic
Image © Canadian Geographic, used with permission.

Windsor Printmaker’s Forum wishes to thank Canadian Geographic for generously promoting the Sense of Place project. Dan Rubinstein, Managing Editor invited Nino Ricci to write an article for the July/August issue. In this article Nino explores the genesis and ambitions of the project and the myriad connections between the artist and the place they are from. The article also channels the voices of some of the project’s key participants and highlights past and upcoming exhibitions.

Canadian Geographic is published by the not-for-profit Royal Canadian Geographical Society. The magazine has a circulation of approximately 200,000 and an audited readership of roughly 3.3 million people every issue — it’s the fourth most-read magazine in Canada.

Congratulations to the Sense of Place artists whose work, selected by Canadian Geographic, is featured: Dan Steeves, Free to ignore moments of restlessness in the mind. Adam Medley, Secrets of Ventriloquism, Patricia Coates, Quarry, Dianna Rae Borel, Roots, Erik Edson, Muskrat, Kenneth Pattern, Jamu Di Condo.

Windsor Printmaker’s also extends a warm thank you to writer Linda Goyette. We met Linda while she was staying at the Pierre Berton House as Dawson’s writer-in-residence. On a sunny fall afternoon, Linda showed us parts of Dawson we might have otherwise missed, and it was Linda who later shared the idea of our project with her colleague Mr. Rubinstein.

It continues to be a pleasure meeting and working with gifted and generous artists throughout the tour. Windsor Printmaker’s would also like to congratulate Nino Ricci on his recent appointment to the Order of Canada.

View the article full size in new window here.

Nino Ricci
image © Patricia Coates
Writer Nino Ricci’s books include his Lives of the Saints trilogy, which was adapted into a miniseries starring Sophia Loren, as well as a biography of Pierre Trudeau. His most recent novel, 2008’s The Origin of Species, won him his second Governor General’s Literary Award for Fiction.

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FALL WINTER 2011

TEEN ● ADULT ● SENIOR WORKSHOPS

LOCATION FOR ALL WORKSHOPS AND COURSES:

Windsor Printmakers Forum
420 Devonshire Rd.
North Side Entrance Lower Level
Windsor, On
519 253 9493

SEPTEMBER

COLLAGRPAH FOR BEGINNERS & EXPERIENCED PRINTMAKERS

Date/Time: 4 Sessions, Wednesday 6:30 pm to 9:30 pm, Sept. 7, 14, 21, & 28. 2011
Cost: $180 plus tax
Instructor: TBA

 
Location: Windsor Printmaker`s Forum
Register by email: workshops@wpfstudio.org
Office Phone: 519-253-9493

 
Course Description: The freedom of collagraph relief printmaking gives many creative possibilities. If it can be inked, it can be printed. Found objects from nature, like dried fruit, leaf, and flattened street trash can combine with painterly marks from glues and gesso to create a collage plate. These plates are versatile and can be printed as a gauffrage – un-inked embossing, hand-colored as a wood block – or printed as a viscosity. Bring materials that are interesting to the first class. No previous printmaking experience is necessary. There will be demonstrations as well as, individualized instruction.
Class is limited to eight students

Materials: Course cost includes all materials except for paper and drawing implements. Printmaking paper can be purchased by the sheet at Windsor Printmaker`s Forum or students may bring their own. Materials list will be provided at the time of registration.


ONE DAY – MEDITATION AND LINOLEUM BLOCK PRINTING

Day/Time: Saturday September 10, 2011
Cost: members $45, non-members $55

Instructor: Sandie A. Collins, BFA ’87, Certified Hatha, Kundalini Yoga & Meditation instructor. Thai massage Therapist.

Location: Windsor Printmaker’s Forum @ 1:30 – 4:00pm
Register by email: workshops@wpfstudio.org
Office Phone: 519-253-9493

Course description:
You will learn Tratak meditation, which is a fixed gaze method of meditation, and involves concentrating on a single object. The object will be a symbol that you create from your linoleum block which will be carved and printed. The image of your design will be your personal symbol to heighten your Tratak meditation experience.

Materials will be supplied. Wear comfortable clothes to sit in and make art!


OCTOBER

RELIEF PRINTING FOR BEGINNERS & EXPERIENCED PRINTMAKERS

Date/Time: 4 Sessions, Wednesdays 6:30 pm to 9:30 pm, Oct. 5, 12, 19, & 26. 2011
Cost: $180 plus tax
Instructor: TBA

 
Location: Windsor Printmaker`s Forum
Register by email: workshops@wpfstudio.org
Office Phone: 519-253-9493

 
Course Description:

Relief printing is the oldest form of printmaking. The most common form of relief printing is woodcut. In this course students will experience three different materials and techniques e.g. wood cut, wood engraving, and lino cut. Many other materials can be used as the block or plate. Linoleum has a similar effect to those of woodcut, but with a thick, sluggish feel. A drawing is made on a wood block or Linoleum. The artist cuts away the undrawn areas, leaving image areas raised. Printing ink is applied to the raised surface and a sheet of paper is laid on the block to take an impression by hand or a press. Students will learn how to print in single and multiple colors. In this class students will learn fundamental to intermediate level. No previous printmaking experience is necessary. There will be demonstrations as well as, individualized instruction. Class is limited to eight students.

Materials:
Course cost includes all materials except for paper and drawing implements. Printmaking paper can be purchased by the sheet at Windsor Printmaker`s Forum or students may bring their own. Materials list will be provided at the time of registration.


NOVEMBER

LITHOGRAPHY FOR BEGINNERS & EXPERIENCED PRINTMAKERS

Date/Time: 4 Sessions, Thursdays 6:30 pm to 9:30 pm, Nov. 2, 9, 16, & 23, 2011
Cost: $180 plus tax
Instructor: TBA

Location: Windsor Printmaker`s Forum
Register by email: workshops@wpfstudio.org
Office Phone: 519-253-9493

 
Course Description:

Lithography is the most direct form of printmaking. The immediacy of the artist`s hand is kept throughout the process. One can achieve a broad range of effects, from fine line drawing to transparent washes or deep rich areas of color. Whether you are a beginner or an experienced printmaker, this course will present the unique properties of lithography. The course covers the basic techniques of hand-drawn stone and printing in black-and-white. There will be demonstrations as well as, individualized instruction. Small class, limited to six students.

Materials:
Course cost includes all materials except for paper and drawing implements. Printmaking paper can be purchased by the sheet at Windsor Printmaker`s Forum or students may bring their own. Materials list will be provided at the time of registration.

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Summer Mono Printing Workshop

Collaborative collage method mono print
Erin Ward, Kacie Auffret, Ute Hertel, Adele Baradel, and Elizabeth MacDonald collaborate on a found object collage mono print.
Pulling the printWatercolour experiment, how wet is too wet?
Shiela Nitschke, printmaker from London, Ontario experiments with watercolour. How wet is too wet?

The participants of the three day summer mono printing workshop held in August had a great time with Instructor Kacie Auffret. They learned to use intaglio inks, watercolour, and found objects to create their own unique images. Monoprinting is a good introduction to printmaking for the novice. Experience printmakers often use this method of printmaking for its painterly results. Monoprinting can also be combined with other forms of printmaking. To learn more about this technique be sure to sign up for our next session.

FEATHERS, STRING AND WATERCOLOURS; LAST WEEK’S MONOPRINTING WORKSHOP

written by Erin Ward
I arrived at the Printmaker’s Forum this past Thursday to a flurry of activity; the crackling, swooshing sound of thin sheets of pale beige newsprint being whisked into place, the donning of various apron styles all decorated with the colorful ink of projects past, the faint scent of ink being worked into the desired viscosity atop the plastic covered wooden work tables, and of course, the friendly chatter of a group of people who have shared a wonderful experience together.

It was the final day of a three day workshop, and a unique time to join in the experience since, by this point, the group had gotten to know one another, had learned a lot and were now being given the gift of three hours of freedom with the monoprinting press to experiment with the techniques they had learned and further explore the possibilities of the medium.

Artist, student and workshop leader Kacie Auffret discovered the Printmaker’s Forum as the antidote to a bleakly print-less summer away from her classes at the University of Windsor where she majors in Printmaking. Speaking with Auffret, it is clear that she has a true passion for printmaking and it is inspiring to hear the visionary motivations behind some of her works, such as her series of ten prints entitled: Remember Your Mortality. The series was a response to the mange outbreak that devastated the fox population in the Windsor area recently and was created to give a voice to the effected animals, and to bring this layer of reality within the city, unnoticed by so many, into the awareness of the human population of Essex county. This past week’s workshop was Auffret’s first, and a very successful one at that. Her patient, helpful demeanor and warm disposition created a welcoming environment for the participants while the passion she brings to monoprinting kept the energy high throughout the learning experience. The workshop attendees were also fortunate to have experienced printmaker and WPF volunteer, the cheerful Elizabeth Gaye MacDonald in attendance, able to provide supplementary guidance and share her wealth of printmaking knowledge.

Monoprinting is a very explorative art-form, where any physical artifact becomes fair game for printing, the effects of which are then added to the repertoire of possibilities held by the experimenting printmaker; a repertoire which can later be called upon to bring about the creation of some future vision. The workshop participants were eager to discover the outcome of printing many diverse items, each inked uniquely using either a blend of colours, or just one, ink applied liberally or only lightly. They had brought string, lace, and fabrics to try out, and MacDonald had brought along feathers, some collected from her Cockatiels at home and some left behind by Canadian geese. It was from those feathers that we created our first collaborative print. A meditative silence descended on the room as we each inked our feathers with pieces of stiff tarlatan cloth according to our individual preferences. The quiet tune on the radio and the whoosh of the air switching on were the only sounds for a few concentrated moments. Then, with the feathers arranged in a circle, we all gathered around the press, the excitement palpable as we waited in eager anticipation for them to be cranked through the formidable machine and the print pulled; separated from the inked feathers and brought into its own unique existence. Creating an artwork together gave rise to a sense of community within the group; a feeling of collective achievement that was undeniably satisfying.

It seemed a unanimous sentiment amongst the printmakers there, both new and experienced, that it is the (often lengthy) process of printmaking which is in large part its appeal. It is the unpredictability of the outcome of pressing an inked object, or a pastel drawing, or watercolour that produces the long process. Auffret explains, “I like that you never know how a print will turn out. It may be nothing like what you expected; you may hate it, walk away for a day, then come back to it and say ‘okay how can I fix this’. I like that you actually get to see the process; it all ends up in your portfolio.”

That uncertainty also creates an undeniable excitement at the reveal of a print. For example, a print created by Elizabeth Gaye MacDonald from watercolour and pastel caused quite a stir. We all huddled around the new print pointing out the different effects and the parts we were particularly drawn to, forming a circle of heads; of imaginations over the press, swept away in a wave-like swirl of turquoise here, and captivated by the blending and mottling of fiery orange and yellow there.

The monoprinting medium has itself undergone quite an evolution. I envision another circle of dark-haired heads; a group of the mid-nineteenth century Japanese fishermen who invented monoprinting, or Gyotaku as they called it, as a way to keep record of their daily catches. I imagine them huddled around a fresh print then as we are now, comparing the sizes, and the patterns and textures of the day’s fish amidst the noise and commotion of a busy port, just as we compare the patterns and textures of the watercolour and pastel now, surrounded by sturdy machines, cans of ink and walls of drying prints.

The workshop was an excellent opportunity for people of any experience level to try their hand at printmaking, to meet others interested in the art-form and to learn from welcoming, experienced hosts. Stay posted for upcoming monoprinting workshops to experience this fascinating art-form for yourself!

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